We are thrilled to present this year’s Pre-selection Panellists. This dynamic group of professionals will select the 40 Finalists for the 2023 Lester Prize to be exhibited at The Art Gallery of Western Australia (AGWA) from 22 September – 26 November 2022.
Ron Bradfield is a saltwater man from Bard Country in Broome who grew up in Geraldton. He now calls Whadjuk Boodjar (Perth) his home. As the CYO (Chief Yarning Officer) of Yarns R Us; Ron facilitates cultural conversations across all levels of our communities, helping Australians explore their own personal stories and connection to place.
Ron is also a storyteller and artist, having worked in and around the arts across regional and metropolitan WA for 15 years, often supporting the development of artists to strengthen their creative practices.
Annika Kristensen is an experienced curator with a particular interest in commissioning new work by contemporary artists; the civic role of galleries and museums; art in the public realm; and broadening audiences for contemporary art. Previously Senior Curator at the Australian Centre for Contemporary Art (ACCA), Melbourne, where she remains as an Associate Curator, Annika has worked with major international and Australian artists to commission new work and curate significant solo and group exhibitions. Recent exhibitions include: Frances Barrett: Meatus (2022); Who’s Afraid of Public Space? (with Max Delany and Miriam Kelly 2021-22); Haroon Mirza: The Construction of an Act (2019); The Theatre is Lying (with Max Delany, 2018-19); Eva Rothschild: Kosmos (with Max Delany, 2018); Unfinished Business: Perspectives on art and feminism (with Paola Balla, Max Delany, Julie Ewington, Vikki McInnes and Elvis Richardson, 2017–18); Greater Together (2017); Claire Lambe: Mother Holding Something Horrific (with Max Delany, 2017) and NEW16 (2016).
Previously the Exhibition and Project Coordinator for the 19th Biennale of Sydney (2014) and the inaugural Nick Waterlow OAM Curatorial Fellow for the 18th Biennale of Sydney (2012), Annika has also held positions at Frieze Art Fair, Artangel, Film and Video Umbrella, London; and The West Australian newspaper, Perth. Annika was a participant in the 2013 Gertrude Contemporary and Art & Australia Emerging Writers Program and the recipient of an Asialink Arts Residency to Tokyo in 2014. She holds a MSc in Art History, Theory and Display from the University of Edinburgh and a BA in Arts/Communications from the University of Western Australia.
Liz Looker is a multi award winning portrait photographer. Her photographs hang in private collections around the world. In 2016, Liz won Australia’s most prestigious photographic prize, the National Photographic Portrait Prize at the National Portrait Gallery and in 2019, their Art Handlers’ Award.
Liz’s interest is in human connection – here between sitter and observer – understanding both the vulnerability and power in being seen and the sensitivity required to witness and capture that, irrespective of the tools.
Kevin Robertson was born in Norseman, Western Australia, in 1964. He studied painting at the Western Australian Institute of Technology (Curtin University), graduating with a BA in 1984. He was awarded a Master of Arts from the College of Fine Arts, University of New South Wales in 1992 and a Doctorate from Curtin University in 2018 where works as a sessional academic. He has maintained a consistent practice as a painter and has exhibited extensively at the Art Collective WA and Galerie Dusseldorf, Perth, and participated in numerous group exhibitions nationally and internationally. In 2022 he was the subject of a survey retrospective at Lawrence Wilson Art Gallery, that included a monograph on his work.
His work is represented in national public and private collections including Artbank, the Art Gallery of Western Australia, Parliament House Canberra, Wesfarmers, Bankwest, The University of Western Australia, Murdoch University, Kerry Stokes Collection, Janet Holmes à Court Collection and Royal Perth Hospital.
Bahar Sayed is a writer, arts worker and community organizer based on Whadjuk land. Currently, she is the curatorial assistant at The Art Gallery of Western Australia and guest editor for unMagazine. Bahar’s background spans across theology, film, and visual arts, and has arrived to the arts through her creative and community practice. Her work has been featured in UnMagazine, Fremantle Arts Centre, Runway Magazine, Running Dog, West Space Gallery, Linden New Arts, amongst others.
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